1800s, knitting, knitting community, parlor knitting, victorians

The History of Parlor Knitting

Often in classic movies or movies set in eras such as the 1950s and before, you will see women knitting in an almost impossible form. Needles up, hands down, and knitting like their hands are on fire. This is called Parlor Knitting, and if you want to find out more about what exactly that is, watch this video.

As I mentioned in the intro, often in television and movies that are in historical settings or in classic movies, you will see many women knitting in a very peculiar style. That style is called Parlor Knitting. Before I talk about what that is, I think it’s important to talk about a few different styles of knitting so you can understand the differences. I want to do this because I have asked a few people what style they knit in, and they weren’t sure.

Firstly, what would make a knitting style different from the other? It’s a few different things. One, it could be the way that the yarn is being held in your hands. It could be the way that you’re picking up your stitches. It could be if you are throwing the yarn or picking the yarn up as you knit. All of those things determine what style you’re using.

What are the different styles of knitting that are most commonly used today? These would be English Knitting, where you’re throwing the yarn, and then Continental Knitting, where you’re picking the yarn up off the needle.

There are a couple more uncommonly used types of knitting called Portuguese and Norwegian knitting. I will explain what those are in a moment.

In English knitting, you’re throwing the yarn. What that means is the yarn is held in your right hand, and you throw or wrap the yarn around the needle to form the stitch.

Continental Knitting is also known as picking up the yarn. This is when you have the yarn held in your left hand, very similar to the style when you’re crocheting, and you would then pick up the stitch as you’re knitting. My own personal style is that I use English for the most part. It’s how my grandma taught me.

For Portuguese knitting, the attention is usually kept by having the yarn wrapped around your neck as opposed to keeping the tension in your hand. Norwegian knitting, you keep the work always close to the end of the needle tips, and in this case, the tension is also through your fingers.

There are also a few other styles in knitting. Armenian is another one, and I use this for Intarsia sometimes. It’s a way of working your stitches so that you don’t have really long floats when you’re doing Fairisle knitting. I know Intarsia, you’re supposed to not have any floats in it, but there are some occasions where that happens.  There’s also double knitting, which I do want to try out one of these days, for scarves, and you’re knitting on both sides of the fabric. Then there’s Fairisle, which involves many different colors of yarn to create designs throughout your garments.


That now brings us to Parlor Knitting. 

They say that parlor knitting was an invention of the Victorian era. During this period of time, Victorian women were now involving themselves in more leisurely activities, and knitting was definitely one of them. However, they did not want to knit purely for necessity, and it was definitely meant to be more of an entertainment style of hobby or activity. For them, it often became a competition or a performance piece on who could knit more beautifully. Not just the garment, but the way they were physically knitting that garment. It was also a way for them to differentiate themselves from people who were knitting purely for necessity. A way to distinguish themselves as more upper-class than everyone else.

Knitting was a way to show that they had a good virtue and a very good moral standing in society. Only good women would knit garments like baby bonnets or beautiful shawls to drape over their gorgeous, custom-made dresses. There were also mottoes going around, such as “Idle Hands, idle minds.” The fact that these women were at home knitting or knitting in groups with other women showed that they were keeping themselves busy and out of trouble. It was also a good way for them to escape the home, get into a group, and gossip. which kind of goes against that whole moral thing.

Women of this class would also be given the luxury of being able to buy finer yarns. Women of the lower classes would be buying yarns that were less processed, possibly weaving their own or reusing yarn from other garments that could no longer be used. In Victorian society, you were also seeing a great divide between the poor and the rich.

But now back to parlor knitting. It’s often one style of knitting that I would love to learn. I have attempted it a few times, and I cannot do it. It’s largely in part to the way that the needles are being held. Unfortunately, I cannot find my straight needles anywhere. I have a large selection of circulars, and I have a large selection of vintage and some antique knitting needles. I tidied up my yarn, and since then, they disappeared. However, I am going to show you on chopsticks how exactly you would hold your needles when parlor knitting.

One of these days, I am going to figure out how to do this, and if I can, I will do a tutorial about it.

To give you a little bit better visualization of what this looks like, if you have ever watched any classic British television or movies, and you see someone knitting in those movies, they are generally doing parlor knitting. In the Miss Marple television series, the character Miss Marple is an avid knitter, and you will see her knitting in that style. When I first started watching Miss Marple many, many moons ago, I was intrigued by this style. At this point, unfortunately, my grandma was no longer with us, and I couldn’t talk to her about it, and my mom had no clue what I was talking about. Both my mom and my grandma knit English style, and that was how my grandmother taught me how to knit. I have also attempted to try to learn Continental knitting, and if I could figure out how to get my hands to work for that, then it might be easier for me to attempt parlor knitting. However, to do either Continental or parlor knitting, I do need to find my straight needles. 

I know the style of knitting was completely meant for performance; however, I honestly love the way it looks, and I also want to learn how to do this. Is there anyone out there who also wants to learn how to parlor knit? If I get enough interest, I will force myself to learn it so I can do a video tutorial. I think it will be both a fun and frustrating challenge; however, I would love to learn how to do it. If you enjoyed this video, please subscribe, give this video a thumbs up if you liked it and also, I now have memberships on this channel and those memberships do include early access to weekly videos, eventually I’ll do semi-regular members only chats, you’ll get discounts to new products, I’ll also do some members only posts, videos and possibly some tutorials shortly. It does not cost that much to join, and it helps out my channel.

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1800s, 1920s, 1930s, 1940s, 1950s, 1960s, adjustable skirt, rebellious fashion

Rebellious Fashion: The History of Skorts

When you hear the word skort, you are likely to visualize part of an outfit that a tennis or golf player might be wearing. Did you know that skorts have a much richer history than that? Did you know they were once considered rebellious fashion? If you want to find out more. Watch this video!

In my continuing series about rebellious fashion, today, we’re talking about the skort!

Before I get into the history, for anyone wondering what a skort is, let me explain. 

A skort is a combination of shorts and a skirt. The current design has a flap of fabric that covers the entire front of your shorts. If you look at female tennis players, you will generally see them wearing this garment. The beginnings of skorts started long before modern times!

Beginning around the 1890s, women began cycling. A huge fad that women felt they should be able to be a part of. However, their heavy skirts did not allow for them to do this with ease. Being able to use a bicycle also allowed women even more freedom. You also need to remember that we also have the Suffrage movement happening at this time, so every little bit of independence was a huge win. It is rumoured that many of those leading the movement enjoyed being able to utilize a way of transportation that only men did.

The original skort was more like a very voluminous pair of trousers. This allowed freedom of movement for the female cyclist, as well as allowing them to safely use the bicycle. You can just imagine getting one of those long and bulky skirts caught in a bicycle chain. That would have led to some serious injuries.

How did these trousers fare? Not very well. At that time, women simply did not wear trousers. According to society, it took away from their femininity. Trousers were meant for men. After getting a taste of the freedom of cycling as well as trousers, many women didn’t want to go back. This had women rethinking the clothing they were currently wearing. Restrictive corsets, huge skirts, bustles, and sleeves. In addition to trousers being meant for men, the cycling trousers would do something shocking to society. It exposed women’s ankles. Women would still be wearing wool stockings with their cycling trousers, but… society still had issues with this.

Could there be a compromise? 

French designers would have the answer.

Always innovators of fashion, French designers were the first to evolve the cycling trousers into skorts! The French creation would be the trouser skirts. This allowed the freedom of trousers while continuing to keep modesty in check. In 1911, Paul Poiret produced several designs that were a combination of skirts and trousers, which were known as jupe-culottes, or also known as harem pants. 

In the 1930s, there was a fitness craze and the desire to have more athletic-looking bodies. Because of this, even more women were taking up sports, especially tennis and golf. The skort also became popular as everyday wear. Skorts were still fairly long at this time, and it wasn’t uncommon for a woman to wear wool stockings with them. 

In 1931, enter one of our favourite rebellious fashion designers, Elsa Schiaparelli! Elsa designed a pair of skorts for Spanish tennis player Lili Alvarez. This version of the skort was a pair of culottes (which Elsa is well known for), with a piece of fabric draped across the front for modesty. It was the first time that skorts had been worn to Wimbledon. Some of the audience members were aghast and vocal with their thoughts on the skort. When it was worn at the French Open, the audience was much more relaxed about it. 

In the 1930s, you would also see women in college adapting skorts as part of their athletic uniforms!

Then the skort lost popularity. They were still being used in sports, but not in everyday wear. At this point, it was no longer considered taboo for women to wear trousers, and the skort lost its edge. 

Then, in 1959, the skort reappeared in a 1959 Spring/Summer Montgomery Ward catalogue. In this version of the skort, it was a pleated skirt with shorts underneath the skirt. 

Welcome to the 1960s and short hemlines, skorts evolved again to fit with those styles and would remain short for the most part, up until today.

Today, skorts are fashionable in sports and everyday wear. As everyday wear, you get the best of both worlds, shorts and a skirt. Perfect for breezy summer days! However, their history is much more important than that. They were a very important part of feminism, allowing women to participate in the same luxuries as men, from cycling to sports. It was a rebellious statement, and we should always remember that.

At some point in the near future, I plan on self-drafting a skort and will have a tutorial for that.

Other links: 

Rebellious Women of the 1920’s: https://youtu.be/rYlkmwHPNFU 

Rebellious Fashion: Hatpins: https://youtu.be/fkw-5-PbAPc 

I hope you enjoyed this video. Please subscribe and give this video a thumbs up if you liked it. Also, I now have memberships on this channel, and those memberships include early access to weekly videos. Eventually, I’ll do semi-regular members-only chats, and you’ll get discounts on new products. I’ll also do some members-only posts, videos, and possibly some tutorials shortly. It does not cost that much to join, and it helps out my channel.
I have a Patreon. I would love it if you subscribed!  https://www.patreon.com/killerkitschdesigns
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