1950s, 1960s, art, beatnik, poetry, rebellious fashion, writing

Rebellious Fashion: The Beatnik Generation

If you’ve ever heard the word beatnik, one of the first images that likely comes into your mind is of a lanky male or female dressed head to toe in black with a beret on their head, a turtleneck, slim slacks on their body, and loafers on their feet. As well, you may also associate them with poetry and smoky jazz cafes or coffee houses. However, there is so much more to the history of the beat generation. They were rebellious and spoke out against the way that society had changed after World War II. They were using their fashion style and their words to voice out against what they believed to be a world moving in the wrong direction.

To find out more about the beatnik generation, its history, and its style, keep watching.

“The term ‘beatnik’ was coined by Herb Caen of the San Francisco Chronicle on April 2, 1958, blending the name of the recent Russian satellite Sputnik and Beat Generation. This suggested that beatniks were “far out of the mainstream of society” and “possibly pro-Communist.” Caen’s term stuck and became the popular label associated with a new stereotype—the man with a goatee and beret reciting nonsensical poetry and playing bongo drums while free-spirited women wearing black leotards dance.” {Wikipedia}

If you’ve ever watched a movie from the mid-1950s up to the early 1960s, you may have come across scenes that take place in Bohemian-style coffee shops. In those scenes, you’ll see poets or musicians doing some sort of beat style poetry, spoken word or music, and there were always bongos. One of my favorite movies with beatnik style is the Jimmy Stewart and Kim Novak movie called Bell, Book, and Candle. It also stars one of my favorite all-time actors, Jack Lemmon, who, of course, works in a coffee house and is part of the house band, and he plays the bongos.

Before I get into what the beatnik style was, I want to talk about the history of the beatnik culture.

As with many fashion trends, it is usually inspired by some kind of culture or era, or some kind of artistic inspiration. Beatnik fashion is no different. Firmly linked to what is called the Beat Generation, it was considered a counterculture movement, and it was heavily influenced by artists, intellectuals, and anyone who was off the beaten path. and they usually frequented coffee houses, bookstores, jazz clubs, or some very smoky, underground-type establishments. It was a very Bohemian style culture. Toronto had its very own counterculture, artistically driven, Bohemian-style neighbourhood. That was Yorkville back in the ’50s and ’60s. Today, if you were to visit Yorkville, it is not anywhere related to what that culture was back then. Now it is very sheeshee, high-end, boutique stores, rich people’s playgrounds. A far cry from what it was during its beatnik generation era. Other little pockets in the city of Toronto also had a similar culture; the Annex was one of the other ones. Every major city would have an area that was dedicated to the beatnik generation. London, San Francisco, and New York are other examples of large cities that have a very colorful and interesting history in their culture. Speaking of New York City, this was where the movement began.

Beatniks were considered rebellious, and in their own way, they were rebelling against society. What was that way, you ask?

As with many artists over the centuries, they rebelled through their art, and with the beatniks were amongst those artists. The beatniks were rebelling against conformity, materialism, and what American society became after World War II. 

After World War I, the world went through a cycle of wealth and insane spending, to the Great Depression, and then to war. When the Second World War ended, the world began having a cycle of wealth again. People had become materialistic, and their spending habits had changed greatly from the decade previous to the war. This was one of the things that the culture was rebelling against. They were critiquing what was now perceived as the American dream. Keeping up with the Joneses. The stages of life once again being: get married, own a house, have a car, and work at a job that you stay at for your entire life. The wife stayed at home and cooked, cleaned, and raised the children. As Bohemians, they wanted to live their lives freely, artistically, and not have to follow the rules of what was considered the standard way of life. Through their art, they were trying to find a way to liberate themselves from all of that.

During this time, several writers and artists became incredibly well-known. 

Writers such as Jack Kerouac, Allen Ginsberg, and William S. Burroughs are considered to be key figures in the movement. If you’ve read any of their works, you would see a very strong message in them about fighting against this conformity. 

Other important poets, writers, and artists of that time would include Edie Parker, Ted Joans, John Asbery, and Ruth Weiss.

As I mentioned above, a huge part of the beatnik culture was the poetry scene and the music scene. Here in Toronto, I was part of both of those scenes. I ran a cabaret called Lizzie Violet’s Cabaret Noir, and part of that Cabaret was poetry and music. I was good friends with a lot of very Bohemian-style artists. One in particular was Nik Beat. Nik’s name was a variation of the word beatnik. Nik was a very well-known artist and poet in Toronto, as well as a huge supporter of the arts. He had a weekly show on the radio station CIUT. I performed on the show a few times, and I’m very grateful to have known him. Unfortunately, he passed away a few years ago, but as I was writing the script for this video, I was thinking about Nik as well as my time in that scene.

Along with running a cabaret, I was also a spoken word artist. Being a spoken word artist, I was also part of the poetry community. I’m no longer part of that scene as I had walked away from it when the pandemic happened, and at that point, I had already moved on to other artistic endeavors.

As promised, let’s talk a little bit about beatnik style.

Beatnik style was a combination of a few different looks. Both men and women embraced this style, and one of the reasons was its simplicity. But I’m getting ahead of myself, let me tell you a little bit about exactly what beatnik style is.

Beatnik style was probably at its height towards the end of the 1950s, and it was usually described as a very minimalist, intellectual, and androgynous style. Men and women tended to wear very similar styles. This look would include mostly black clothing, occasionally another color would pop in, such as white, and it was a mishmash of turtlenecks, skinny tight pants similar to narrow-legged trousers or ankle-length capris, and the footwear was always comfortable. Women who were into beatnik fashion usually steered away from high heels or any kind of uncomfortable, fashionable footwear.

Another very well-known and very familiar beatnik style is the striped long-sleeved top. It would be in the fashion of either a turtleneck or a Breton-style top. Breton would be a wide, round-neck or boat neck shape.

Along with berets, as headwear, you would almost always see beatniks wearing sunglasses. It didn’t matter if they were indoors or outdoors. They were also very likely not to be sun worshipers in any sort of way. They would rather spend their time inside a dark, smoky coffee house.

Women’s hairstyles tended to be long and straight with bangs, a variation of the Bettie Bang that was popular in the 1940s. Bettie Page especially made that look famous. Men usually had longish hair with beards, and often their beards would be in the style of a goatee. 

The beatnik minimalist look would not have any flashy patterns. As I mentioned above, the striped top was probably as flashy as they got. 

Below are a few articles I read when doing my research for this video!

https://vagazine.com/exploring-beatniks-and-the-beat-generation-legacy/

https://en.wikipedia.org/wiki/Beatnik

https://www.anothermag.com/fashion-beauty/8395/how-beatnik-style-made-the-underground-mainstream

https://gbacg.org/finery/beatnik-fashion/

Would you consider your look to be Beatnik? If you were around in the 1950s, would you be part of the Beatnik culture?

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1800s, 1920s, 1930s, 1940s, 1950s, 1960s, adjustable skirt, rebellious fashion

Rebellious Fashion: The History of Skorts

When you hear the word skort, you are likely to visualize part of an outfit that a tennis or golf player might be wearing. Did you know that skorts have a much richer history than that? Did you know they were once considered rebellious fashion? If you want to find out more. Watch this video!

In my continuing series about rebellious fashion, today, we’re talking about the skort!

Before I get into the history, for anyone wondering what a skort is, let me explain. 

A skort is a combination of shorts and a skirt. The current design has a flap of fabric that covers the entire front of your shorts. If you look at female tennis players, you will generally see them wearing this garment. The beginnings of skorts started long before modern times!

Beginning around the 1890s, women began cycling. A huge fad that women felt they should be able to be a part of. However, their heavy skirts did not allow for them to do this with ease. Being able to use a bicycle also allowed women even more freedom. You also need to remember that we also have the Suffrage movement happening at this time, so every little bit of independence was a huge win. It is rumoured that many of those leading the movement enjoyed being able to utilize a way of transportation that only men did.

The original skort was more like a very voluminous pair of trousers. This allowed freedom of movement for the female cyclist, as well as allowing them to safely use the bicycle. You can just imagine getting one of those long and bulky skirts caught in a bicycle chain. That would have led to some serious injuries.

How did these trousers fare? Not very well. At that time, women simply did not wear trousers. According to society, it took away from their femininity. Trousers were meant for men. After getting a taste of the freedom of cycling as well as trousers, many women didn’t want to go back. This had women rethinking the clothing they were currently wearing. Restrictive corsets, huge skirts, bustles, and sleeves. In addition to trousers being meant for men, the cycling trousers would do something shocking to society. It exposed women’s ankles. Women would still be wearing wool stockings with their cycling trousers, but… society still had issues with this.

Could there be a compromise? 

French designers would have the answer.

Always innovators of fashion, French designers were the first to evolve the cycling trousers into skorts! The French creation would be the trouser skirts. This allowed the freedom of trousers while continuing to keep modesty in check. In 1911, Paul Poiret produced several designs that were a combination of skirts and trousers, which were known as jupe-culottes, or also known as harem pants. 

In the 1930s, there was a fitness craze and the desire to have more athletic-looking bodies. Because of this, even more women were taking up sports, especially tennis and golf. The skort also became popular as everyday wear. Skorts were still fairly long at this time, and it wasn’t uncommon for a woman to wear wool stockings with them. 

In 1931, enter one of our favourite rebellious fashion designers, Elsa Schiaparelli! Elsa designed a pair of skorts for Spanish tennis player Lili Alvarez. This version of the skort was a pair of culottes (which Elsa is well known for), with a piece of fabric draped across the front for modesty. It was the first time that skorts had been worn to Wimbledon. Some of the audience members were aghast and vocal with their thoughts on the skort. When it was worn at the French Open, the audience was much more relaxed about it. 

In the 1930s, you would also see women in college adapting skorts as part of their athletic uniforms!

Then the skort lost popularity. They were still being used in sports, but not in everyday wear. At this point, it was no longer considered taboo for women to wear trousers, and the skort lost its edge. 

Then, in 1959, the skort reappeared in a 1959 Spring/Summer Montgomery Ward catalogue. In this version of the skort, it was a pleated skirt with shorts underneath the skirt. 

Welcome to the 1960s and short hemlines, skorts evolved again to fit with those styles and would remain short for the most part, up until today.

Today, skorts are fashionable in sports and everyday wear. As everyday wear, you get the best of both worlds, shorts and a skirt. Perfect for breezy summer days! However, their history is much more important than that. They were a very important part of feminism, allowing women to participate in the same luxuries as men, from cycling to sports. It was a rebellious statement, and we should always remember that.

At some point in the near future, I plan on self-drafting a skort and will have a tutorial for that.

Other links: 

Rebellious Women of the 1920’s: https://youtu.be/rYlkmwHPNFU 

Rebellious Fashion: Hatpins: https://youtu.be/fkw-5-PbAPc 

I hope you enjoyed this video. Please subscribe and give this video a thumbs up if you liked it. Also, I now have memberships on this channel, and those memberships include early access to weekly videos. Eventually, I’ll do semi-regular members-only chats, and you’ll get discounts on new products. I’ll also do some members-only posts, videos, and possibly some tutorials shortly. It does not cost that much to join, and it helps out my channel.
I have a Patreon. I would love it if you subscribed!  https://www.patreon.com/killerkitschdesigns
I have a Ko-Fi account if you are inclined. All donations are appreciated and will help me upgrade my equipment (lighting, microphones, etc.). 
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